An Initiation in Alexandria

This post presents an excerpt from The Lights of Alexandria, Book 2 of the Conjurer of Rhodes series. The story takes place in the city of Alexandria in the Third Century BCE. At that time, Alexandria was a crossroads of learning and culture, a cosmopolitan center such as the world had not seen before.

Ancient Alexandria Image
An artist’s impression of the Lighthouse of Alexandria, built c. 300 – c. 280 BCE and one of the Seven Wonders of the Ancient World. (From the computer game Assassin’s Creed Origins) Source https://www.ancient.eu/image/7615/lighthouse-of-alexandria-artists-impression/

Our hero, Korax, is a young Greek from the island of Rhodes. Owing to some careless conjuring, he ended up a slave in Egypt. After two years as a scribe at a temple on the Nile—during which time he gained initiation into the Mysteries—Korax escaped his captivity. Now he has come to Alexandria with the aim of mastering his magical gifts. Using the name Astrametheus, Korax  has applied for membership in a society of scholars and magicians from many lands.

Late one night, they summon him via psychic message…

The mist had cleared from the sky, leaving the moon a golden shield hung on a tapestry of stars. Korax hurried through the dim, deserted streets. He had dressed in a chiton and sandals, wrapped the gray chlamys over his shoulder. He had considered bringing the beaded satchel, but decided not. Instead he had slung on his sword-belt. The streets of Alexandria were patrolled by a watch, but at this late hour, in this part of the town, robbers might be lurking.

As he neared the grounds of the Paneum, he saw that the iron gates stood shut and guarded by two sentries. The men wore black hooded cloaks and carried truncheons.

“Reveal your name and business,” one of the guards ordered.

“I am Astrametheus of Hermopolis. I believe I have been summoned.”

The man nodded. “Surrender your weapon to me.”

Korax removed his sword-belt and handed it to the sentry. The other man pushed the gate open.

Passing inside the wall, Korax was confronted by a figure dressed in a loose white robe and holding a lamp. The person’s face was concealed by a cowl and a mask of hammered gold. From the size and slender shape, Korax guessed it was a woman. She raised a finger to the lips of the mask, commanding him to silence. Then she gestured with the lamp for him to follow.

At first, Korax wondered if his guide might be Miriam. But after a few steps, he concluded not. This person moved with a sinuous confidence, unlike the rather stiff adolescent stride he recalled in the young Jewish woman. Beneath the hem of her robe, small feet appeared, bare on the grass. Korax glimpsed the sparkle of a toe-ring.

They entered the pavilion of Pan and moved through the shadows. Behind the statue of the god, the secret door stood ajar. The guide motioned Korax to enter first. Bent at the waist, he felt his way down the passage. Soon the height increased and he could walk upright. Faint illumination appeared ahead.

The tunnel ended in the great circular chamber at the interior of the stone mound. Moonlight glinted through slanted vents in the distant pinnacle. At the center of the black floor burned a ring of lanterns.

A solemn voice issued from the area of light: “Let the candidate come forward.”

Korax and his guide stepped noiselessly across the chamber. As they approached, he spied perhaps forty persons seated on cushions, each behind a flickering lamp. Twelve of the company sat in an inner circle, the others in a second circle outside the first. All of the figures wore white robes with hoods and gold masks with the same blank, enigmatic expression. A dense cloud of incense floated in the air.

Korax was led to a seat in the center of the concentric circles. His guide repeated her earlier gesture, warning him to silence, then withdrew to take a place at the outer circle. Korax stared at the masks and waited.

For a long time all was quiet.

Korax’s spine grew tense and achy. A tingling crept over the skin of his arms. He took deep breaths to quell his emotion, but the smoky incense made him lightheaded. He could feel the minds behind the blank visages, probing him.

Needles seemed to prickle his nerves. The prickling grew sharper, till tiny worms of flame were crawling all through his body. His limbs trembled. He forced himself to keep still, to stare resolutely.

Abruptly a jolt shuddered through him and the fire vanished. His whole being was enveloped in an aura of peace and relief. A tall person rose from the inner circle. When he spoke, Korax thought he recognized the voice of Krateros.

“My brothers and sisters of the Paths of the Mysteries, this candidate seeks admission to our Society. What is your judgment of his worthiness?”

“He is most worthy,” said a woman’s voice from the outer circle. “He has talent and a brilliant mind.”

“Brilliant yes, but inconstant,” said a deep male voice with an Egyptian accent. “He lacks clarity and depth.”

“He is young,” answered another. “He only needs cultivation.”

“He knows Thoth-Hermes. I sense the god’s influence.”

“Yes, I felt it too. A peculiar paradox: His knowledge is shallow, yet his experience is profound.”

“He is courageous.”

“But also willful and proud.”

“Once he was arrogant, but his soul has been tempered by suffering.”

“He feels the pain of others and knows compassion—rare in one so young.”

“I sense that his spirit is lost. He is not sure what he wants.”

“Surely that is true of us all to some degree.”

“Still, it worries me that his heart is frivolous.”

Knots tightened and re-tightened in Korax’s belly. Their perceptions sliced him apart, he thought, with the cool efficiency of a chef filleting a fish.

“His ability is undeniable, but does he have sufficient dedication?”

“He has promised to serve the gods. That is a worthy ideal.”

“Yes, and he holds to that strongly.”

A hush settled over the enormous chamber. Korax waited nervously, straining to keep still. Finally, the man he believed was Krateros spoke again.

“I thank you all for your assessments. By their tenor, I believe we are agreed to offer this young man membership in our Society. Is there anyone who disagrees?”

Silence.

“So let it be done.”

The masked figures stood all at once. They picked up their lamps and filed after Krateros, who had turned and was pacing across the floor. Korax clambered to his feet, his knees unsteady. His guide appeared beside him and indicated he should follow. They took their place at the rear of the line.

A chant began, rolling in low powerful tones through the long procession. The sound vibrated inside Korax’s head: three lines in some archaic tongue; three more, in another language he did not know; then a third verse in Egyptian:

Light rushes forth
In rays manifesting
From the mind of the One
Beehive Tomb Interior
Interior of an ancient beehive tomb, the inspiration for the fictional interior of the Temple of Pan. Source: https://www.travelblog.org/Photos/9122777

At the edge of the chamber, the procession moved up a curving ramp. It mounted to the first gallery and turned a complete circuit. The chanting never altered as the company filed up the next ramp and around the second gallery.

In all, the magicians ascended seven ramps and circled seven galleries. Each circuit grew shorter, as the walls of the enormous space curved inward toward the summit. At the top of the seventh ramp, Korax followed his guide into a narrow cleft of rock. At one point, the way grew so narrow he had to turn sideways to squeeze through. The chant had ceased, and for an alarming moment he feared he had lost the company. Then he emerged to find his guide awaiting him at the base of a winding stair. They climbed together and walked out onto the roof of the Paneum.

The moon now floated in the west. Stars glinted in the blue vault, seeming to reflect the countless lights of Alexandria that twinkled far below.

The company had formed a single circle within the round parapet. Korax was led to the center, where Krateros, still masked, stood before a plain stone altar. On the stone sat two gold vessels: a bowl full of wine and a platter piled high with cakes.

“Here at the summit of the Temple of Pan,” Krateros said, “we honor and worship all gods and goddesses. Young stranger, known to us as Astrametheus, I bid you welcome.”

“Welcome.” The word echoed around the circle.

The priest lifted the bowl and handed it to Korax.

“I give you wine, the blood of the god who eternally dies and is reborn: Osiris, Adonis, Dionysus. May his sacrifice renew the strength of your blood.”

As Korax tilted the bowl to his lips, the voices repeated the divine names.

“Osiris. Adonis. Dionysus.

Krateros held the gold plate. “I give you bread, the gift of the goddess who eternally sustains all life: Isis, Astarte, Demeter. May the fruits of her body replenish your spirit.”

All in the circle chanted: “Isis. Astarte. Demeter.”

Korax took a morsel and ate it.

Krateros said: “All gods are one. All goddesses are one. All life is one. This is the Mystery of Pan.”

The priest’s hands came up and lifted away his mask. “Now, Astrametheus, it is my privilege to welcome you to our company, the Society of Alexandrian Pan.”

Book cover: The Lights of Alexandria

The Lights of Alexandria, along with the other Conjurer of Rhodes titles, is available on Amazon.

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